An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde
Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enríquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquín Torres-Garcia,
José Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Formerly of Cooper - Hewitt : Todd Olson At The Metropolitan Museum of Art : Christine Brennan , Roger Haapala , Jessie McNab , Jeffrey Munger , Clare Vincent , Beth Carver Wees , Deanna Cross and the Image Library staff .
DESMOND FITZGERALD Born 1846 , Nassau , Bahamas ; died 1926 , Brookline , Mass . home and prompting them to acquire more art . They bought Hunt's Gloucester Harbor ( cat . 24 ) as well as paintings by J. Foxcroft Cole and several French ...
33 André was long presumed to have worked with his father , Alphonse Giroux , a well - known art dealer . In fact , André and his brother , Alphonse - Gustave , bought the firm from their parents in 1838 , making them the sole owners .
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Introduction by Nancy M. Doll. Text by Xandra Eden, Gary Indiana.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
UKIYO-E PAINTINGS PB
The Lane Collection: 20th-century paintings in the American tradition ; Museum of Fine Arts, Boston, April 13, 1983 - Aug....
Robert Whitman: Playback