Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha.
Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master.
This is a riveting, heart-stopping journey of discovery and reconciliation, as Rush faces his lost childhood and, finally, himself.
He went to school to learn how to kill me.
In 2007, Caroline Woodward was itching for a change.
A long-lost battleship and an arranged marriage may hold the key to faster-than-light travel and humanity’s future in R.W.W. Greene’s debut The Light Years Hisako Saski was born with her life already mapped out.
The perfect combination of action, imagination and heart, Light Years from Home is a touching drama about a challenge as difficult as saving the galaxy: making peace with your family…and yourself. "With heart and insight.
Ten Thousand Light-years from Home
A strange alien species forces us to question our definition of civilization in this biting satire from the Grand Master of Science Fiction.
He stubbed out his cigarette, collected his hat and went in search of Carruthers. Louise had a rather dull tea with Lydia and Nanny, because Mummy was still out. She did show Lydia her catfish, but Lydia wasn't interested in him.
He continued to collect evidence over the next five years. This is the account of those sightings--sightings which have been judged authentic by a professional security team.