Mark Bradford
- ISBN-10
- 0300163584
- ISBN-13
- 9780300163582
- Series
- Mark Bradford
- Category
- Art / History / General
- Pages
- 242
- Language
- English
- Published
- 2010
- Publisher
- Wexner Center for the Arts, The Ohio State University
- Author
- Christopher Bedford
Description
A stunning mid-career retrospective
Mark Bradford is best known for dazzling, large-scale abstract paintings that examine the class-, race-, and gender-based economies that structure urban society in the United States. Gathering carefully chosen found and salvaged materials from the area surrounding his studio in the Leimert Park neighborhood of Los Angeles, Bradford engages in an intricate artistic process that involves both creation and destruction. His complex, fractured works address pressing political issues and the media's influence on contemporary society while cataloguing cultural change and the artist's personal responses to societal condition.
The first major book on this leading American artist, Mark Bradford features essays by distinguished authors who investigate how Bradford straddles the line between social critique and formal innovation, playing the two against one another to produce works of seduction and analysis. Topics include Bradford's debt to abstract expressionism, his relationship to the largely unknown history of twentieth-century abstraction by African American artists, his work as a public artist, and his interest in midcentury European collage and décollage practices.
Published in association with the Wexner Center for the Arts
Get the book
Other editions
Similar books
-
Breaking Frame: Technology and the Visual Arts in the Nineteenth Century
By Julie WoskTechnology and the Visual Arts in the Nineteenth Century
-
What Great Paintings Say: Masterpieces in Detail
By Rose-Marie Hagen, Rainer HagenWhat Great Paintings Say: Masterpieces in Detail
-
Orazio and Artemisia Gentileschi
By Keith Christiansen, Judith Walker Mann, Orazio GentileschiCiampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
-
I Want to See This Annie Mattygraph: Cartoon History of the Coming of the Movies
By Stephen BottomorePer tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
-
Dada & Surrealism A&i
By Matthew GaleIn the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
-
The Art of John Biggers: View from the Upper Room
By Alvia J. WardlawCatalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
-
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
By Elizabeth ShepherdThe art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
-
The Paintings of Karel Du Jardin, 1626-1678: Catalogue Raisonné
By Jennifer KilianAccording to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
-
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
By David Smith, Steven A. Nash, Candida N. SmithDavid Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
-
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei
By Irving SandlerAbstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei