The Age of American Impressionism: Masterpieces from the Art Institute of Chicago
- ISBN-10
- 0300175744
- ISBN-13
- 9780300175745
- Category
- Art
- Language
- English
- Published
- 2011
- Author
- Judith A. Barter
Description
The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein. Distributed for the Art Institute of Chicago
Get the book
Other editions
-
- 2011
- 157 pages
- Paperback
- -
Similar books
-
Blue Book of Art Values: Artists & Their Works from Around the World
By William Edwin DayBlue Book of Art Values: Artists & Their Works from Around the World
-
New Deal Art in Alabama: The Murals, Sculptures and Other Works, and Their Creators
By Anita Price Davis, Jimmy S. EmersonPeter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
-
The World of Bob Timberlake
By Bob TimberlakeOffers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesTHE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
-
John Singer Sargent and His Muse: Painting Love and Loss
By Karen Corsano, Daniel WillimanAdelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesThis is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
-
Chaos and Cosmos: On the Image in Aesthetics and Art History
By Karen LangThrough careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
-
Writing on the Wall: Graffiti and the Forgotten Jews of Antiquity
By Karen B. SternGibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
-
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
By Brooke Kamin Rapaport, Kevin Stayton, Brooklyn Museum of ArtExamines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
-
Typography: A Very Short Introduction
By Paul Luna... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...