"More than 480 images illustrate the relationship between photography and war, showing the experience of armed conflict through the eyes of photographers across two centuries and six continents"--
Moeller (history, Princeton) brings her experience as a photojournalist to bear on her study of war photography in the five major American wars of the century. She identifies the factors...
Linda Nochlin, Women, Art and Power and Other Essays (London: Thames & Hudson, 1989), p. 24. Gay L. Gullickson, 'La Pétroleuse: Representing Revolution', in Feminist Studies 17, no. 2, summer 1991, pp.
According to the historian Kathleen Collins, “These schools were the first in the South to be supported by taxation.” See Collins, “Portraits of Slave Children,” p. 187. See Mark Dunkelman, Gettysburg's Unknown Soldier: The Life, Death, ...
Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to ...
Some cameras simply recorded events. Others defined and changed the way those events proceeded. These were the cameras that went to war, and this is their story.
Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald.
We assume that the figures we see are the Nichols accompanied by a daughter and the Sprott parents, but many contemporary readers would have known these people. If the featuresof the humans remain indistinct, the contrasting ...
Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals.
Displaying many rare images unearthed by the author, an acclaimed Civil War historian, this beautiful volume explores how the camera bore witness to the dramatic events of the Civil War.
is to give them (back) a political capacity to inform, critique, and mobilize; to set in motion a complex, ... Chapter 1 engages with images of mourning women on both sides of the US–Iraq conflict, arguing that this trope is deeply ...