A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
NEW YORK TIMES BESTSELLER • “Vital reading for Americans and people anywhere who seek to understand what is happening ‘after the fall’ of the global system created by the United States” (New York Journal of Books), from the former ...
"Through 50 masterpieces of American painting, this catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s.
A critical voice in the most pressing debates of our time, The Rise and Fall of American Growth is at once a tribute to a century of radical change and a harbinger of tougher times to come.
Samuel, 73–75, 80, 82–83 Argenteiri, Dominick, Maria, 25, 36 Argullo, Msgr. Michael, 26 Ashley, ... Broadway (Camden), xiv, 21, 40, 69, 79, 93, 133 Brooklyn, N.Y., 20 Brooks, Jean, 137 Brown, H. Rap, 75, 77 Brown, Stanley, xii Brown v.
Based on interviews with Stan Lee and dozens of his colleagues and contemporaries, as well as extensive archival research, this book provides a professional history, an appreciation, and a critical exploration of the face of Marvel Comics.
. . . I wish every politician would spend an evening with this book.” —James Fallows
Eric Kaufmann traces the roots of this culture war from the rise of WASP America after the Revolution to its fall in the 1960s, when social institutions finally began to reflect the nation's ethnic composition.
Howard Beck proved them wrong. The final criticism about the White House A.I. was the only one that had any merit. The President's critics in the Democratic Party despised Howard Beck for buying the Presidency. They felt that Beck was ...
As Gelinas explains in this richly detailed book, adequate regulation of financial firms and markets is a prerequisite for free-market capitalism -- not a barrier to it.
Overcoming Racism and Renewing the Promise of America Theodore Roosevelt Johnson III. 141 Apologizing for the Enslavement and ... 143 See Theodore Parker, “Of Justice and Conscience,” in The Collected Works of Theodore Parker, vol.