The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
"In the 1870s and 1880s, artists' societies promoted watercolors as attractive, decorative, inexpensive alternatives to oils, successfully elevating them to the mainstream of American art. Based in New York City,...
Features the most beautiful watercolors in the impressive collection of the Museum of Fine Arts, Boston.
Celebrating the great American watercolor, this unique collection of images features the work of Sargent, Homer, LaFarge, Prendergast, Demuth, Marin, Burchfield, and Hopper, among others. Original.
24 Henrs James, "John S. Sargent," Harper'* \e* Monthly Inyiifiwi, 75 (October 1887): 689. 2 v In this regard, Sargent brings to mind Edward Hopper, who also inventoried his surroundings. He told Alfred Barr. director of the Museum of ...
An eye-dazzling delight, celebrating some of the greatest masters of the watercolor medium with an extravagant and beautiful selection of illustrations. 398 illustrations, 247 in full color.
This handsome volume provides a comprehensive look at Homer’s technical and artistic practice as a watercolorist, and at the experiences that shaped his remarkable development.
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Melissa Dabakis and Paul Kaplan (Manchester, UK: Manchester University Press, forthcoming 2021). ... Uncanny Spectacle: The Public Career of the Young John Singer Sargent (New Haven, CT: Yale University Press, 1997), 98.
Insightful essays by the world's leading experts enhance this book and introduce readers to the full sweep of Sargent's accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously ...
American Painting and Its Tradition: As Represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent