American artist Joel Shapiro (b. 1941) is best known for his monumental wood and metal sculptures of abstracted human forms. Less familiar, however, is his work in a variety of other media--particularly plaster, which Shapiro has turned to repeatedly during his long career. In this fascinating book, Pamela Franks examines how the artist's explorations in plaster echo throughout his frequently shifting art practice, inspiring works in wood, wire, paper, and other materials. The publication includes pieces ranging in scale from small to room-sized, as well as paper collages, which serve both as inspiration for his sculptural work and as works of art in their own right. Through a close look at all of these objects, the book studies how Shapiro blurs the line between figuration and geometric abstraction, and it documents variations on some of the artist's most recognizable forms. Installation photographs situate Shapiro's works in space and in curated groupings. This exciting publication offers readers a thought-provoking investigation of the possibilities to be found in the intersections between different media and between abstract and figurative art.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...