An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included "The Ring," a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design.
Tuer and Will Bradley refused to be talked out of their enthusiasm for the exuberant and even crude mneteenth - century types and the illustrations thah arahnpanied them and their work in this rein around the turn of the century was ...
This text follows the structure of the revised National Curriculum for design and technology and reflects the emphasis on ITC.
Published by the Penguin Group Penguin Group ( USA ) Inc. , 375 Hudson Street , New York , New York 10014 , U.S.A. Penguin Group ( Canada ) , 10 Alcorn Avenue , Toronto , Ontario , Canada M4V 3B2 ( a division of Pearson Penguin Canada ...
Or , as another famous American typographer Beatrice Warde has pointed out , perhaps more eloquently than Lubalin : “ Good typography is like a crystal wine glass , thin as a bubble and just as transparent , its purpose to reveal rather ...
Studio Tips for Artists & Graphic Designers
Anderson and Roberts establish a first principle model of communication as a way of exploring graphic design, starting with the proposition of concept and delivery of concept in the form of a message to a chosen audience and recognising ...
Catbuster: Graphic communication 1996-1998
36 D. Berwin , for example , had taken photography at evening classes when he was 14 and began work in a press agency one ... 39 M. Bolan quoted by N. Cohn , ' Ready , steady , gone ' , the Observer Magazine ( 27 August 1967 ) , p .
By the 1940s, the style and major themes that would characterize Georgia O'Keeffe's work for the rest of her life were firmly in place.
本书主要收集了平面设计作品。