"Full of the sort of 'I was there' stories that enrich the late-night conversations of jazz enthusiasts but rarely end up between the covers. For anyone with an interest in Charlie Parker, Miles Davis, John Coltrane, and modern jazz, it should be required reading."--Robert Palmer, New York Times
From 1975 to 1981 the jazz giant Miles Davis temporarily retired from music. Almost completely reclusive, nobody outside of a very close circle knew what was happening to him. Only one jazz writer was able to get close to him during this time: Eric Nisenson. From 1978 to 1981 Nisenson conducted dozens of interviews with Miles Davis and his associates. The result was 'Round About Midnight, an engaging firsthand account of Miles's fascinating and difficult career.
From his recordings with Charlie Parker and the birth of the cool nonet, through the Coltrane quintet, the Gil Evans-arranged masterpieces of the sixties, the landmark Kind of Blue album, the Shorter/Hancock/ Carter/Williams group, and the success of Miles's fusion recordings of the seventies, Miles's personality-contemplative, abruptly defiant, strong, elegant-meshed with his art to form one of the most compelling legends in the history of American music. Whole actively disdaining his audience, he sought to broaden it by incorporating elements of other musics-classical, flamenco, rock, funk-into his uncompromising jazz. This contradictory combination of contempt and a desire for recognition fueled controversy in both his public and private lives, and resulted in Miles's lengthy self-imposed isolation.
Nisenson broke through that isolation, and his biographical portrait is vivid and telling This updated edition features a new preface, new material covering Miles in the eighties, and a new recommended listening section.
Miles Davis. Round about Midnight.: Ein Porträt.
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'Round about midnight: ein Porträt von Miles Davis
Miles Davis - round about midnight: ein Portrait
At first his group consisted of the pianist Steve Kuhn, a disciple of Bill Evans, the bassist Steve Davis, and drummer Billy Higgins, who had first gained fame playing with Ornette Coleman. But Coltrane did not feel that this group gave ...
keyboards ) , Al Foster on drums and Mino Cinelu on percussion . The way each member was recruited by Miles has been chronicled in the chapters on The Man With The Horn and We Want Miles . When Miles first went back on the road he was ...
Clawing at the Limits of Cool is the first book to focus on Davis and Coltrane's musical interaction and its historical context, on the ways they influenced each other and the tremendous impact they've had on culture since then.
This book is for eight-to eighty-year-olds and is about our fears of the dark and the scary monsters that lurk in the shadows.
... round midnight . Bop , bop , bebop , rebop . Lost lovers in my empty doorway groove to a sweet pain in the bruise - colored neon where my soul weaves itself into terra incognita , into the blue & green sounds of Botany Bay reflected ...
"Gripping." – Alex Michaelides, New York Times bestselling author of The Silent Patient and The Maidens "Another compelling read from the utterly brilliant Harriet Tyce." – Lisa Jewell, New York Times bestselling author of Then She Was ...