In Bright Boulevards, Bold Dreams, Donald Bogle tells–for the first time–the story of a place both mythic and real: Black Hollywood. Spanning sixty years, this deliciously entertaining history uncovers the audacious manner in which many blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day. We discover that Black Hollywood was a place distinct from the studio-system-dominated Tinseltown–a world unto itself, with unique rules and social hierarchy. It had its own talent scouts and media, its own watering holes, elegant hotels, and fashionable nightspots, and of course its own glamorous and brilliant personalities. Along with famous actors including Bill “Bojangles” Robinson, Hattie McDaniel (whose home was among Hollywood’s most exquisite), and, later, the stunningly beautiful Lena Horne and the fabulously gifted Sammy Davis, Jr., we meet the likes of heartthrob James Edwards, whose promising career was derailed by whispers of an affair with Lana Turner, and the mysterious Madame Sul-Te-Wan, who shared a close lifelong friendship with pioneering director D. W. Griffith. But Bogle also looks at other members of the black community–from the white stars’ black servants, who had their own money and prestige, to gossip columnists, hairstylists, and architects–and at the world that grew up around them along Central Avenue, the Harlem of the West. In the tradition of Hortense Powdermaker’s classic Hollywood: The Dream Factory and Neal Gabler’s An Empire of Their Own, in Bright Boulevards, Bold Dreams, Donald Bogle re-creates a vanished world that left an indelible mark on Hollywood–and on all of America.
Presents a comprehensive history of African-American performers spanning sixty years and profiles the lives and careers of famous entertainers such as Bill "Bojangles" Robinson, Hattie McDaniel, Lena Horne, Sammy Davis, Jr., and many more.
. Bogle has fashioned a resonant history of a bygone era in Hollywood and passionately documented the contribution of one of its most dazzling and complex performers."—New York Times Book Review In the segregated world of 1950s America, ...
The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton.
Bogle, Bright Boulevards, Bold Dreams, 178. 118. Leonard J. Leff, “'Gone with the Wind' and Hollywood's Racial Politics,” The Atlantic Monthly 99.12, 284, no. 6 (December 1999): 106–14, Accessed July 18, 2014, ...
Identical to the new student-edition paperback (fall 2001), this one includes the entire 20th century through black images in film, from the silent era to the unequaled rise of the new African American cinema and stars of today.
James Prigoff and Robin J. Dunitz, Walls of Heritage, Walls of Pride: African American Murals (San Francisco: Pomegranate, 2000), 57 (first quotation); William Pajaud, interview by Karen Ann Mason (Los Angeles: UCLA Library, ...
And we can't forget the others: Bessie Smith, Billie Holiday, Ella Fitzgerald, Katherine Dunham, Hazel Scott, Marian Anderson, Dinah Washington, Pearl Bailey, Dorothy Dandridge, Leontyne Price, Aretha Franklin, Nina Simone,...
Hattie McDaniel is best known for her performance as Mammy, the sassy foil to Scarlett O'Hara in Gone with the Wind.
Kay Francis in Mary Stevens, M.D. demonstrates this point exactly. Even though Mary Stevens is an excellent pediatrician, women don't want to come to her. “I've got to have a man doctor” and “A woman doctor ugh no thanks!
In Heat Wave, Bogle explores Waters’ relationships with other performing greats, including Lena Horne, Count Basie, Vincent Minnelli, and many others, and paints a vivid, deeply human portrait of this legendary performer—a must-read for ...