Driven by his dream to write and stage an epic stage production of interwoven Chinese novelsWittman Ah Sing, a Chinese-American hippie in the late '60s.
“I did the paperwork, took advantage of a littleknown loophole, a legacy after the death of the five Sullivan brothers." Edie Heinemann—“the real writer in the family,” Larry saysspeaks about writing letters to her husband every day ...
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
The National Book Award-winning author of The Woman Warrior presents a series of versed observations on her experiences of aging, covering topics ranging from her literary activities and activist work to her views on her characters and a ...
Some of the most active Asian American student leaders in TWLF were from Philippine-American College Endeavor (PACE). PACE was organized principally by Pat Salavar, who served as campus coordinator, and Ron Quida- chay, an early leader ...
Mah hai cup cup, say ngyeuk, yow say ngyeuk, Nay hoy nai, yah? Here's the translation of my very minor Chinese dialect: Hey, Third Grandfather. Hey, Fourth Grandfather. Where are you going? Horse shoes clippity-clopping four feet, ...
In this collection of interviews, Kingston talks about her life, her writing, and her objectives. From the first, her books have hovered along the hazy line between fiction and nonfiction, memoir and imagination.
Weaving political commentaries, cultural adventures, and Chinese and Native American Indian myths into stories rich in adventure and mystery, Griever: An American Monkey King in China is about Griever de...
From a recipient of the National Medal of Arts and numerous other honors, the essays in this collection provide readers with a generous sampling of Kingston’s exquisite angle of vision, her balanced and clear-sighted prose, and her ...
Rounding out the volume are a series of essays from 1978 reflecting on her life in Hawaii, later collected as Hawai‘i One Summer, personal musings whose subjects range from the contentions of a conference of Asian American writers to home ...
Eaton "became" Watanna to escape Americans' scorn of the Chinese and to capitalize on their fascination with all things Japanese. This volume includes nineteen of Watanna's shorter works, including thirteen short stories and six essays.