From the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, and so many others, comes a magnificent collection of stories. Written between the 1920s and 1950s, these sixty-five tales--eleven of which have been translated into English for the first time--display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers and intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.
Maslov would be perfect, minus hair. 2. The glasses should be definitely tortoise-shell ones, with heavier, somewhat squarish frames. 3. The nose is very important. It should be the Russian potato nose, fat and broad, with prominent ...
Written in inimitable prose, these 65 stories span Nabokov's extraordinary life and career. Arranged chronologically to illuminate his development as a writer, the collection displays Nabokov's range of technical and formal inventiveness.
This landmark new collection brings together the best of the short stories of Vladimir Nabokov, one of the twentieth century's greatest writers and author of Lolita and Pale Fire.
From the contents: Memory and dream in Nabokov's short fiction (B. Wyllie). - Nabokov's approach to the supernatural in the early stories (J.W. Connoly). - Nabokov's Christmas stories (R.H.W. Dillard).
Hoping to impress the girl he loves, Martin Edelweiss embarks on an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919.
Pnin is a professor of Russian at an American college who takes the wrong train to deliver a lecture in a language he cannot master.
In some of these stories shadowy people pass through, cooped up by life, with nowhere to escape to. Their dreams lie stifled, smothered by routine and repetition, and frustrations lurk in all the corners.
Anatomy of a Short Story contains: • the full text of "Signs and Symbols," line numbered and referenced throughout • correspondence about the story, most of it never before published, between Nabokov and the editor of The New Yorker, ...
Interviews, articles, and editorials from the 1960s and 1970s reveal Nabokov's personal views on a range of subjects, including art, education, politics, literature, movies, and modern times
'Spring in Fialta is cloudy and dull'.