A collection of essential pieces by an American master • “A real contribution to the study of Faulkner’s work.”—Edmund Wilson In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. He set this legend in a small, minutely realized parallel universe that he called Yoknapatawpha County, Mississippi. No single volume better conveys the scope of Faulkner’s Yoknapatawpha legend than The Essential Faulkner. The book includes self-contained episodes from the novels The Sound and the Fury, Light in August, and Sanctuary; the stories “The Bear,” “Spotted Horses,” “A Rose for Emily,” and “Old Man,” among others; a map of Yoknapatawpha County and a chronology of the Compson family created by Faulkner especially for this edition; and the complete text of Faulkner’s 1950 address upon receiving the Nobel Prize in literature. Malcolm Cowley’s critical introduction was praised as “splendid” by Faulkner himself. Also includes: “A Justice” “The Courthouse” (from Requiem for a Nun) “Red Leaves” “Was” (from Go Down, Moses) “Raid” (from The Unvanquished) “Wash” “An Odor of Verbena” (from The Unvanquished) “That Evening Sun” “Ad Astra” “Dilsey” (from The Sound and the Fury) “Death Drag” “Uncle Bud and the Three Madams” (from Sanctuary) “Percy Grimm” (from Light in August) “Delta Autumn” (from Go Down, Moses) “The Jail” (from Requiem for a Nun)
Alphabetically-arranged entries provide information about Faulkner's life and work, covering his novels, short fiction, poetry, essays, reviews, speeches, screenplays, letters, and his family, friends, and associates.
Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner's work.
“I'm sorry I—” Bogard said. “Quite. Confounded shallow boats. Turn any stomach until you get used to them. Ronnie and I both, at first. Each time. You wouldn't believe it. Believe human stomach hold so much. Here.” It was the bottle.
William Faulkner was a master of the short story. Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury.
Foreword , Sherwood Anderson and Other Famous Creoles . Compare R : D. Laing , The Divided Self ( New York , 1970 ) , p . 90. See also Spratling , “ Chronicle of a Friendship , ” as cited in the general note to this chapter . 7.
B. Robbins, “The Pragmatic Modernist,” 241: “All artistic works are shaped by networks and conditions outside of themselves, despite their possible claims to autonomy.” 7. B. Robbins, “The Pragmatic Modernist,” 243.
A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy.
An essential collection of William Faulkner's mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner's Nobel Prize acceptance speech, a review of Hemingway's The...
I THE OLD PEOPLE Editor's Note Here are four of Faulkner's stories dealing with early days in Yoknapatawpha County : with the Indians , the first white settlers , and the McCaslin plantation in the time of Uncle Buck and Uncle Buddy .
A concise and illuminating introduction to the life and work of the seminal American writer provides important insights into the fictional world of William Faulkner's novels, examining his Mississippi childhood, his sojourn in New Orleans ...