Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century.
Slogans (continued) liberty,” 150; “Union and Liberty,” 178 Smith, Goldwin, 90 Smith, J. Allen, 110 Smith, William, 17 Social justice: “Cato” on, 19; development of concept, 134; Hand (L) on, 153-54; in Progressive Era, 140-41 Sons of ...
In 1927 , Oscar Rabe Hanson won , posthumously , the Medal and Barron Collier Prize from the Art Directors Club . See Sixth Annual of Advertising Art ( New York , 1927 ) , 17 , 77 ; and Fourth Annual of Advertising Art ( New York ...
In imaginative, lively prose, Mayukh Sen—a queer, brown child of immigrants—reconstructs the lives of these women in vivid and empathetic detail, daring to ask why some were famous in their own time, but not in ours, and why others ...
This study examines how the changes in publishing, movie making and television programming since the 1960s have affected taste, particularly what is considered vulgar. Show businesss, the industry of American...
Hall , Jacquelyn Dowd . “ ' The Mind That Burns in Each Body ' : Women , Rape , and Racial Violence . ” In Powers of Desire : The Politics of Sexuality , ed . Ann Snitow , Christine Stansell , and Sharon Thompson , 328-49 .
In this brilliant interdisciplinary work, Katharina Vester examines how cookbooks became a way for women to participate in nation-building before they had access to the vote or public office, for Americans to distinguish themselves from ...
As simply an explanation of how Americans became such avid consumers of sugar, this book is superb and can be recommended highly.” —Ken Albala, Winterthur Portfolio “An enlightening tale about the social identity of sweets, how they ...
Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny.
Gordon Hutner describes the distorted, canonized history of the twentieth-century American novel as a record of modern classic
During the latter half of the 1980s and throughout the 1990s, television talk shows, infotainment news, and screaming supermarket headlines became ubiquitous in America as the "tabloidization" of the nation's...