The first reference book all about the business side of gospel and urban music. Hip-hop and R&B hold 25 percent of the consumer music market. Another 20 percent is held by religious (gospel and Christian) music, soul, disco, dance, and jazz. Here’s the first reference book to offer sound business and legal advice specifically tailored to these areas of the music industry. Securing a record deal, starting a label, publishing music, marketing and promoting—this is the information that today’s musicians need. With insightful examples, quotes, and anecdotes from dozens of top artists and executives, This Business of Urban Music is entertaining as well as informative. Author James J. Walker, Jr., is a leading entertainment lawyer, representing such well-known clients as Cole, Jamie Foxx, DMX, and many others. Now he brings his years of professional expertise in litigation, business, intellectual property, and corporate law to This Business of Urban Music—at a price every aspiring musician can afford.
With grime music and its related enterprise a key component of the urban music economy, this book employs the inherent contradictions and questions that emerge from an exploration of the grime music scene to build a complex reading of the ...
Through the lens of contextually-specific teaching, this book provides a counternarrative on urban music education that encourages urban music teachers to focus on the strengths of their students as their primary resource.
It is an explosive look at the corruption that is running rampant in the industry. And Blackout is an inside account of how corporations erased Black identity from Black radio and mainstream music--and why he chose to fight back.
Wu - Tang Clan . 1997. Wu - Tang Forever . RCA 66905 . Xzibit . 1996. At the Speed of Life . RCA 66816 . Various artists . 1995. New York Undercover ( soundtrack ) . UNI / MCA 11342 . 1996a . High School High ( soundtrack ) .
Instead, Robinson made his own gold plaques, and gave those to his artists. When Joe Robinson saw that Bobby Robinson's little Enjoy Records was having some success, he and Sylvia swooped down to take his artists.
Representing pioneering research, essays in this collection investigate musical developments in the urban context of colonial Latin America.
In Hip Hop Time goes beyond popular narratives of hip hop resistance, exploring Senegalese hip hop as a musical movement deeply tied to indigenous performance practices and changing social norms in urban Africa.
Rondón tells the engaging story of salsa's roots in Puerto Rico, Cuba, Colombia, the Dominican Republic, and Venezuela, and of its emergence and development in the 1960s as a distinct musical movement in New York.
Nonprofits and Business is a unique resource on this emerging trend.
This book would be a valuable addition to the limited literature available on the subject of urban transport in India. The topic has not attained much prominence even in the broader discussions on the transport sector issues in the country.