American Drama offers a comprehensive introduction for students who require detailed but clear information on the dramatists included. It has much to offer the academic and serious reader and addresses the common concern that the unfamiliar names and forgotten voices of those who made a major contribution to the history of American drama have been unfairly neglected. A range of approaches and a wide selection of plays discussed make this volume a landmark in our appreciation and understanding of some of this century's greatest writers.
New York : Holt , Rinehart , Winston , 1965 . Dramutic Soundings . Edited by Glenn Loney . New York : Crown Publishers , 1968 . Form and Idea in Modern Theatre . New York : Dryden , 1956 . Theatre at the Crossroads : Plays and ...
This is a concise critical history of the era in which American dramatists developed a style of their own, distinct from their British counterparts and European forebears. The Little Theatre...
(Applause Books). Includes: Amy Hill: Tokyo Bound ; David Henry Hwang: Bondage ; Velina Hasu Houston: As Sometimes in a Dead Man's Face ; Lane Nishikawa and Victor Talmadge: The Gate of Heaven ; Dwight Okita: The Rainy Season .
Eugene O'Neill and the Emergence of American Drama
Understanding Contemporary American Drama
American Drama, 1940-1960: A Critical History. New York: Twayne. Bigsby, C. W. E. (1992). Modern American Drama, 1945-1990. Cambridge: Cambridge University Press. Brustein, R. (1965). Seasons of Discontent: Dramatic Opinions, 1959—1965.
A History of the American Theatre from Its Origins to 1832. University of Illinois Press, 2005. Dunlap's book remains an important source for US theatrical history. Dunlap, William. André. 1798. Early American Drama, edited by Jeffrey ...
This collection of essays provides an alternative to the accepted account of the development of American drama. Copyright © Libri GmbH. All rights reserved.
In Bruce Jay Friedman«s Scuba Duba (1967), a man whose wife has left him for a black lover finds himself adrift in a world of sexual freedom, psychiatric mumbo-jumbo and his own racist fantasies, and is unable to cope; in Friedman«s ...
24 Robert Corrigan and James L. Rosenberg , eds . , The Context and Craft of Drama ( San Francisco , 1964 ) , p . 239 . 25 Karl Jaspers , ' Basic characteristics of the tragic ' , in Robert Corrigan , ed . , Tragedy : Vision and Form ...