Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.
Enlightening, empowering, and educational, this is an approach to wellness that is holistic, hedonistic, and real. Because self-care should not feel self-punishing, and every body deserves to feel good.
EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands.
Go back to reading about your precious Miss Misery on your computer screen. And I'll go back to having sex with her.” I hadn't planned on punching the doppelgänger. I had never punched anyone before. But I couldn't help myself.
Got Pain? This book is for anyone with chronic pain looking for answers. It will give you a place to start. You don't have to resign yourself to a life of pain and pills.
Music journalist Mike Damante covered the genre for one of the largest media companies in North America, and has compiled the stories of 1990s-2000s emo and pop-punk explosion as told by himself, the bands, publicists, and the fans who ...
A snarky, fact-filled look at the people and places that made the indie/punk scene what it is today The American underground music scene is exploding everywhere—not just in New York City and L.A. (although we've got those cities covered ...
From the Basement starts off by examining the mainstream and then grows into the sub-genres such as street political punk (Anti Flag), screamo, the more aggressive emo offshoot that got popular at around the same time, as well as the labels ...
prise, the band loved Robinson's rendition of their sound. “Catacombs” was the closest a producer had ever come to capturing At the Drive-In's live energy, and it earned him the gig. “We made a big change that day, and tasked Tony with ...
Explains how each individual can learn to control their moods through controlling the thought processes and changing the patterns of how things are perceived.
In Feeling Great, Dr. David Burns reveals that our negative moods do not result from what's wrong with us, but rather--what's right with us.