B. Lee Cooper offers a kaleidoscopic portrait of contemporary American society as it has been captured and transmitted in the lyrics of more than 3,000 popular recordings. By tracing the permutations of American popular music from the end of the Big Band/Swing Era through the Age of Rock, the author presents a thematically structured analysis of popular music lyrics from 1950 through 1985. Cooper divides his lucid commentaries and lists of songs into fifteen sections, each dealing with a particular social, political, or personal theme. In the brief essays that precede the lengthy discographic sections, the author explores the ways in which popular music has dealt with such issues as religion, death, education, youth culture, transportation, mass media, protest, military activity, women's liberation, and drug use and abuse. An illustrative discography of 45 r.p.m. records follows each section of commentary. An extensive bibliography of books, articles, and special reports appears at the end of the volume, along with a selected discography of album-length recordings which supplements the extensive 45 r.p.m. listings.
Surgeon's Call
It also prompted a spoof in Sheb Woolley's ' Don't Go Near The Eskimos ' Dave Davies maintained that this simultaneously universal and personal opus “ was a gesture : ' Leave me alone . I'm not a performing seal .
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
... Georgia , 180 Caine , James M. , 604 Caine Mutiny , The ( film ) , 586 “ Caisson Song , The ” ( “ The Caissons Go ... 635-36 , 720 , 721 , 761 Carr , Alexander , 191 Carr , Benjamin , 6 , 16 , 18 , 19 , 22 Carr , Howard , 234 Carr ...
Pearl Jam, for example, tellingly revisited the punk tradition of social engagement almost immediately after Cobain's suicide, adopting an escalating social-political rhetoric inaugurated with 1994's Vitalogy.
Explains terms and slang relating to American popular music, discusses its various musical styles, and surveys the careers of important figures in popular music
Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before...
We All Want to Change the World provides a cogent and fascinating evaluation of post-World War II American commercial music and its complex, multi-faceted impact on the world of politics....
"Money for Nothing begins with the earliest days of the music video, when Hollywood musicals, experimental animated films, Soundies, and Scopitones fused music and image in ways that would presage...
Dancing in the Dark