African Music is devoted to ethnographic, anthropological, musicological, and popular studies of sub-Saharan African music from the 1890s to the present. The bibliography is organized into six basic sections. Section one covers works on cultural policy and the performing arts in sub-Saharan Africa, while section two provides a selected guide to works on ethnomusicology. Section three, the largest, deals with general works and regional/country studies of traditional sub-Saharan musics, defined most simply as the local village or rural musics of West, Central, Southern, and East Africa. General and regional/country studies of African pop music as well as biographical and critical studies of 275 popular musicians and groups are covered in section four. Section five focuses on the acculturated or art music traditions of Africa's Westernized elite, citing both general works and biographical/critical studies on African composers and performers. The sixth, and final, music section covers general studies on African church, or liturgical music. The items cited in these six sections range from books, dissertations, unpublished papers, and periodical and newspaper articles, to films, videotapes, and audiotapes in all of the major Western languages as well as several African ones. The three appendixes deal, respectively, with reference works on African music and culture; archives and research centers; and a selected discography listing both traditional and popular music recordings and outlets where they may be found. Four indexes--ethnic group, subject, artist and author--complete the work and provide a key to its 5,800 entries.
By covering works from 1732 to the present, African Music offers not only the most up-to-date scholarship on the subject, but also the most comprehensive coverage currently available. It offers a much-needed, and long overdue resource for students, scholars, and librarians seeking to understand the musics of sub-Saharan Africa.
一個總是大放厥詞,在小眾藝文圈四處縱火的恐怖分子,十年來最深情的音樂文字告白!《破報》專欄樂評人中坡不孝生,以一種政治不正確的音樂文字書寫方式,用紙漿與油墨做了 ...
大師,不藏私 回歸音樂的本質,全面藝術性的思考 大鋼琴家在舞台上精彩演出,魅力四射。下台後,有些人把這些藝術家想像成在巴黎某個陰暗酒館中啜飲著苦艾酒、醉生夢死的英 ...
Hand To Hand You Very Much , Mr Monk with the one on the deleted City Soul Note 121107-2 Adams ; Jimmy Knepper ( tb ) ; Hugh Gates ) , and much of the interest now lies in hearing how much Lawson ( p ) ; Mike Richmond ( b ) ; Dannie ...
(Vocal Score). Trusted the world over, the classic, authoritative G. Schirmer editions of the stage works of Gilbert & Sullivan have been spruced up! These new vocal scores feature the...
Included are numerous Challenge Exercises, which allow students to gain hands-on experience with networking related tools and utilities, and Challenge Scenarios.
The Bass Tradition is an incredible collection of 36 famous bass solos and lines from 18 masters written in bass clef, including Jimmy Blanton, Milt Hinton, Oscar Pettiford, Ray Brown, Paul Chambers, Sam Jones, Richard Davis, Stanley Clarke ...
Carefully structured to link information directly to the CIM syllabus, this coursebook text offers a range of cases, questions, activities, definitions and study tips to support and test your understanding...
45905-1-2-3 Floating Down The old Green River ( Kalmar ) 31 Jul 15 A - 1825 BERT WILLIAMS : Vocal , with orchestra . ... 45912-1-2-3 Spring Morning Serenade ( Aubade Printanière ) ( P. Lacombe ) 4 Aug 15 A - 1805 PALIE K.LUA - DAVID K.
We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The Easter Rising in Song & Ballad