The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British drama and theatre. This book examines the effect of Thatcherite ideology and policies on British theatre of that period. It begins by defining "Thatcherism" and illustrating its cultural influence. It then examines the consequences of the imposition of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of "constituency theatres," such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The volume concludes with a look at the effect of Thatcherite economic policy and ideology on new writing and performance.
"The History We Haven't Had" Anthony P. Pennino ... as its title would suggest, a heroine who stands in opposition to a male-dominated hierarchy, though Anthony B. Dawson accuses the play of “exploiting male fantasies against and about ...
The 'in-yer-face' plays of the mid-1990s announced a new generation shaped by Thatcherism and defined by antipathy to social ideals and political involvement.
This second edition is published to coincide with its transfer to the Leicester Square Theatre and Norwich Playhouse in March 2015, and the Edinburgh Festival Fringe in August 2015.
This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara.
The first substantial interdisciplinary, cross-genre critique of Margaret Thatcher and her cultural 'afterlife', exploring Thatcher's legacy across a range of areas including public policy, broadcast media, film, poetry, architectural ...
In this rich memoir, the first of two volumes, Paul Farmer traces the story of A39, the Cornish political theatre group he co-founded and ran from the mid-1980s to the early 1990s.
Immerse yourself in the activity and let time melt away, even if you’re only actually out for 20 minutes. Notice how much clearer your head feels when you return home. This is the magic of monotasking.
We invited movie stars; Julie Andrews was there, Rod Stewart sang RON. I figured she'd like a ride, American style And where better to provide it? MAGS. If Ronald Reagan knew If he knew what I really thought of him His lazy intellect, ...
The visual style , recalling central European surrealistic imagery was also influenced by the ' poor reality of the Polish director , Taduesz Kantor . His famous , The Dead Class , was itself based on a Bruno Schultz story ...
Niedecker