Popular music owes greatly to the spirit of rebellion. In all of its diversified, experimental, modern-day micro-genres, music's roots were first watered by good old-fashioned social dissension- its incendiary heights pushed heavenward by radicals and rogue revolutionaries. And perhaps none are more influential and non-conformist than women. Always first in line to give convention a sound thrashing, women in music have penned sonic masterpieces, championed sweeping social movements, and breathed life into sounds yet unimagined. Today's guitar-wielding heroines continue to blaze the trail, tapping reservoirs and soundscapes still unknown to their male counterparts- hell hath no fury like a woman with an amplifier. Women Icons of Popular Music puts the limelight on 24 legendary artists who challenged the status quo and dramatically expanded the possibilities of women in the highly competitive music world. Using critical acclaim and artistic integrity as benchmarks of success, this can't-put-down resource features rich biographical and musical analyses of a diverse array of musicians from country, pop, rock, R&B, soul, indie, and hip-hop. It goes beyond the shorter, less detailed biographical information found in many women in rock compendiums by giving readers a more in-depth understanding of these artists as individuals, as well as providing a larger context-social, musical, political, and personal-for their success and legacy. Among the featured: BLPatsy Cline BLDiana Ross BLAretha Franklin BLJoan Baez BLJanis Joplin BLJoni Mitchell BLCarole King BLPatti Smith BLTina Turner BLMadonna BLTori Amos BLMary J. Blige BLAni DiFranco Highlighted in sidebars throughout are related trends, movements, events, and issues to give readers a broad perspective of the defining moments in music and pop culture history. With discographies, illustrations, and a print and electronic resource guide, Women Icons of Popular Music is a rousing, insightful resource for students and music fans alike.
... a year, her father returned, but the experience left a lasting impression on her. He was honored by the Marines for his efforts and passed away in 1993. Harris learned the piano as a child and played saxophone Emmylou Harris 143.
Popular music owes greatly to the spirit of rebellion.
EMI had signed her in the glory days of the mid 70s when themusic industry was runningata profit andthere wasmoney to slosh around on new artists. Introduced to an EMI executive by a supergroup musician – Pink Floyd's Dave Gilmour, ...
Organized chronologically, the book profiles each artist and places her in the context of both her genre and the musical world at large.
Brings together music criticism, fan experience, and performers' first person accounts from more that 60 women writers for 1960s to the 1990s.
This book spans four decades from the 1950's and studies the position of women in the music business.
"Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Yet nearly eighty years after Ma Rainey and Bessie Smith first blazed the trail, have...
In the vein of Twenty Feet from Stardom and Girls Like Us comes an authoritative narrative history of one of the most powerful segments of popular music—black female recording artists—told through the stories of some of the most famous ...
She has taught courses on popular music, music and gender, and music writing, and served as Editor-in-Chief of Echo: A ... Her forthcoming work includes a chapter in the Oxford Handbook of Music and Queerness, entitled 'Queer ...
In 1972 she transferred to Adams High, alarge, brand-new school on the corner of Tienken and Adams, next to open fields and golf courses. It attracted higher-income families. “Kids nicknamed it the Country Club,” says Drayton.