Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva's status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva's definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva's signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva's actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Céline in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva's most pertinently "literary" theoretical concepts, by way of synopses of the texts in which she presents them.
This volume is an accessible, introductory guide to the main themes of Kristeva's work, including her ideas on: *semiotics and symbolism *abjection *melancholia *feminism *revolt.
A leading literary critic and psychoanalyst, Julia Kristeva is one of the most significant French thinkers writing today. In this up-to-date survey of her work, John Lechte outlines fully and systematically her intellectual development.
... Histoires d'amour (Tales of Love) 25, 29, 39, 4ln, 94, 135n, 149; 'Un nouveau type d'inte11ectue1: le dissident' ('A New Type of Intellectual: the Dissident') 152; Polylogue 139, 146, 149; Pouvoirs de l'horreur (Powers of Horror) 46, 81 ...
... meta- ; over- hanging it , raising it , as in a meta - physics , meta - body , meta - logic , and meta - language . The object is forever cast out , and made in- accessible as such ; though it has no existence of its own , it can be ...
The book also considers how critics in the United States receive Kristeva’s work on French feminism, semiotics, and psychoanalytic writing in complex, controversial ways, especially on the question of marginalized populations.
In this book, Kristeva scholars from a number of disciplines analyze her novels in relation to her work in psychoanalysis, interrogating the relationships between fiction and theory.
For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection.
Not only a meditation on Proust, this is a commentary on how the experience of literature is manifested in time and sensation.
... Hélène Cixous), and issues of reading/writing, author and text (Roland Barthes and Jacques Derrida). Her recent publications include: Hélène Cixous. Das Lachen der Medusa zusammen mit aktuellen Beiträgen (co-editor with Esther Hutfless ...