* Are cultural identities socially constructed? * How are race, nation, sex and gender constructed and represented on television? * What is the impact of globalization on television and cultural identities? This introductory text examines issues of television and cultural identities in the context of globalization. It is a wide-ranging volume, exploring many of the central cultural issues in contemporary cultural studies, such as media, globalization, language, gender, ethnicity, cultural politics and identity - perhaps the topic of cultural studies over the past decade. At the core of the book are two critical arguments - that television is a proliferating resource for the construction of cultural identity, and that cultural identity is not a fixed essential 'thing' but a contingent social construction to which language is central. The book will be essential reading for undergraduate and postgraduate courses on television and cultural identities in the fields of cultural studies, communications, media studies and sociology, with a wider appeal to those with an interest in the television industry. Key concepts are introduced and explained for those new to cultural studies, whilst debates are extended and enriched for those already familiar with them. The text is well structured, links the vocabularies of media studies and cultural studies, and is supported by original case study material.
Television programme format transfer is the process whereby the basic idea or ingredient of a programme is used to produce a new version of the programme. With Polyglot TV, Albert Moran offers a detailed explanation of the process.
This simultaneous view will uncover many hitherto unmapped processes at work in the domain of culture. Deleuze and Guattari focus on this phenomenon when they allude to the notion of de-ter- ritorialization, in which the production of ...
This edited volume examines the ways that global media shapes relations between place, culture, and identity.
Focusing on how the process of internationally made programming such as Highlander: The Series and The Odyssey—amusingly dubbed “Europudding” and “commercial white bread”—are changing television into a transnational commodity, ...
Intended Audience This is an excellent text for advanced undergraduate and graduate courses in Globalizatiion and Culture, Global Media, Television Studies, Television Criticism, and International Media.
In Identity Games, Anikó Imre examines the corporate transformation of the postcommunist media landscape in Eastern Europe.
Examines the ways in which collective cultural identities are being reshaped under conditions of a postmodern geography and a communications environment of cable and satellite broadcasting. Looks at Europe, America, Islam and the Orient.
This significant book is based on intensive fieldwork in Korba, a little known multi-project industrial area in Chhattisgarh.
Allen, R. C. (2004). Frequently asked questions: A general introduction to the reader. In R. C. Allen & A. Hill (Eds.), The television studies reader. New York: Routledge. Almeida, H. B. d. (2003). Telenovela and gender in Brazil.
The spread of Islam around the globe has blurred the connection between a religion, a specific society, and a territory.