One of the rare collections I would recommend for use in undergraduate teaching – the chapters are lucid without being oversimplified and the contributors are adept at analyzing the key industrial, technological and ideological features of contemporary U.S. cinema. Diane Negra, University of East Anglia, UK. Contemporary American Cinemaoffers a fresh and sometimes revisionist look at developments in the American film industry from the 1960s to the present … Readers will find it lively and provocative. Chuck Maland, University of Tennessee, USA. Contemporary American Cinemais the book on the subject that undergraduate classes have been waiting for … Comprehensive, detailed, and intelligently organized [and] written in accessible and compelling prose …Contemporary American Cinemawill be embraced by instructors and students alike. Charlie Keil, Director, Cinema Studies Program, University of Toronto, Canada. Contemporary American Cinemausefully gathers together a range of materials that provide a valuable resource for students and scholars. It is also a pleasure to read. Hilary Radner, University of Otago, New Zealand. Contemporary American Cinemadeepens our knowledge of American cinema since the 1960s. … This is an important collection that will be widely used in university classrooms. Lee Grieveson, University College London, UK. Contemporary American Cinemais a clear-sighted and tremendously readable anthology, mapping the terrain of post-sixties US cinema with breadth and critical verve. Paul Grainge, University of Nottingham, UK. This collection of freshly written essays by leading specialists in the field will most likely be one of the most important works of reference for students and film scholars for years to come. Liv Hausken, University of Oslo, Norway. Contemporary American Cinemais the first comprehensive introduction to American cinema since 1960. The book is unique in its treatment of both Hollywood, alternative and non-mainstream cinema. Critical essays from leading film scholars are supplemented by boxed profiles of key directors, producers and actors; key films and key genres; and statistics from the cinema industry. Illustrated in colour and black and white with film stills, posters and production images, the book has two tables of contents allowing students to use the book chronologically, decade-by-decade, or thematically by subject. Designed especially for courses in cinema studies and film studies, cultural studies and American studies,Contemporary American Cinemafeatures a glossary of key terms, fully referenced resources and suggestions for further reading, questions for class discussion, and a comprehensive filmography. Individual chapters include: The decline of the studio system The rise of American new wave cinema The history of the blockbuster The parallel histories of independent and underground film Black cinema from blaxploitation to the 1990s Changing audiences The effects of new technology Comprehensive overview of US documentary from 1960 to the present Contributors include: Stephen Prince, Steve Neale, Susan Jeffords,Yvonne Tasker, Barbara Klinger, Jim Hillier, Peter Kramer, Mark Shiel,Sheldon Hall, Eithne Quinn, Michele Aaron, Jonathan Munby.
Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema.
The book applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present, which has not been done on this scale before.
From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic ...
Engaging Film Criticism examines recent American cinema in relationship to its «imaginative intertexts», films from earlier decades that engage similar political and cultural themes.
Although Ossie Davis hadmade Cotton Comes to Harlem (1970) for the Goldwyn company in 1970, the cycle is generally acknowledged to have started with Melvin Van Peebles' Sweet Sweetback's Baadasssss Song (1971).
This engaging book explores some of the most significant films to emerge from Latin America since 2000, an extraordinary period of international recognition for the region's cinema.
Written by a professional film critic and film buff, this book tells the story of contemporary American cinema in a unique and engaging way: by examining 25 key movies that demonstrated a significant creative, technological, or business ...
Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s.
The book explicates three major themes surrounding the American Dream in contemporary Hollywood cinema and relates those findings to the United States' social and cultural changes in the last 25 years.
For the past century African American cinema has primarily been an independent phenomenon. However, recent and consistent inclusion in the mainstream film industry of Hollywood suggests a significant change in...