Craftivism, or craft activism, can be defined as the production of protest art with an explicitly handcrafted aesthetic. This nebulous movement was born at the turn of the twenty-first century and has produced a distinct visual language expressive of self-sufficiency, social equality, and communal wellbeing. Interestingly, the relationship between craft and socio-political concerns is long-established. Due to the hierarchal positioning of “craft” below the “fine arts”, issues of social and economic equality have been inherently tied to craft and textile production. Most significantly, a moral aesthetic has come to be associated with the handmade. This aesthetic has been a central component of several significant social movements including the Arts & Crafts movement of nineteenth century England, the Swadeshi revolution of India, and the early twentieth century campaign for women’s suffrage. By examining craftivism as the culmination of a long history of crafting for political purpose, I suggest that this contemporary movement has created a powerful visual language expressive of a moral aesthetic associated with equality and socialist ideals.