In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan's desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War,an interdisciplinary team of scholars explores the way the arts - theatre, music, fiction, poetry, painting, architecture, and dance - were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped - and was shaped by - veterans long after the war. n emotional and material catastrophe. In The Arts and Culture of the American Civil War,an interdisciplinary team of scholars explores the way the arts - theatre, music, fiction, poetry, painting, architecture, and dance - were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped - and was shaped by - veterans long after the war.
The age of aerobics began in 1968 with the publication of Dr. Kenneth H. Cooper's book Aerobics . Dr. Cooper , a U.S. Air Force major with a doctorate in exercise physiology , was assigned to develop a special drill for a group of Air ...
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The Multiplication of Culture's Utility: The Art Gallery Versus the Alehouse
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Cultural Subjects: A Popular Culture Reader is a brand new collection of 22 readings by well-known international scholars in various areas of cultural studies.
The Baptist minister Adam Clayton Powell Sr., for instance, remarked that Harlem was ''the symbol of liberty and the Promised Land to Negroes everywhere.'' The Harlem Renaissance involved writers—of both fiction and poetry—as well ...
Margaret Mitchell ( 1900–1949 ) wrote only one novel , and it took her 10 years to complete . But it became one of the most famous novels of all time . It was Gone with the Wind , a story about a family in Georgia during and after the ...
Bob Kolbey , Photo District News 60 MINUTES AND THE News A Mythology for Middle America Richard Campbell With a Foreword by James W. Carey " A skillful and convincing analysis of '60 Minutes ' as a provider and provoker of commonsense ...
本书描述的是欧洲1500至1800年的精英文化和大众文化还没有形成后来的那种对立,在某种意义上,精英在独享精英文化的同时也分享着大众文化。涵盖的空间西起爱尔兰的戈尔韦城 ...
村上隆完全読本美術手帖全記事1992‐2012