La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes. Featuring a newly reworked outline of La Pocha Nostra's overall pedagogy, and how it has evolved in the time of Trump, cartel violence, and the politics of social media, this new handbook presents deeper explanations of the interdisciplinary pedagogical practices developed by the group that has been labeled "the most influential Latino/a performance troupe of the past ten years." Co-written by Guillermo Gómez-Peña in collaboration with La Pocha Nostra's artistic co-director Saúl García-López and edited by Paloma Martinez-Cruz, this highly anticipated follow-up volume raises crucial questions in the new neo-nationalist era. Drawing on field experience from ten years of touring, the authors blend original methods with updated and revised exercises, providing new material for teachers, universities, radical artists, curators, producers, and students. This book features: Introductions by the authors and editor to Pocha Nostra practice in a post-democratic society. Theoretical, historical, poetic, and pedagogical contexts for the methodology. Suggestions for how to use the book in the classroom and many other scenarios. Detailed, hands-on exercises for using Pocha Nostra-inspired methods in workshops. A step-by-step guide to creating large-scale group performances. New, unpublished photos of the Pocha Nostra methods in practice. Additional texts by Reverend Billy and Savitri D., Dragonfly, Francesca Carol Rolla, VestAndPage, Micha Espinosa, Zulfikar Ali Bhutto, Praba Pilar, L. M. Bogad, Anuradha Vikram, and Annie Sprinkle and Beth Stephens, among many others. The book is complemented by the new book Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008-2019).
Carol Sawyer As Amazonia: The Amazing Story of One Woman's Transformation!: Featuring the Three Bad Sisters and the Cloud of...
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Sisters Of Survival (S.O.S.) is an anti-nuclear performance art group founded in 1981 by Jerri Allyn, Nancy Angelo, Anne Gauldin, Cheri Gaulke and Sue Maberry.
Several Clouds Colliding will be launched at Swedenborg House on 19 July 2012, accompanied by a new performance by Iain Sinclair and Brian Catling.
Full of sass and insight, this essential collection is part survey, part critical discourse, and part reference book."--Pub. desc.
This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day?
A first-time publication for fast-moving British collaborative artist Kate Cooper (b. 1984) accompanies her solo exhibition at the KW Institute for Contemporary Art, Berlin, 2015the result of receiving the 2014 Schering Stiftung Art Award.
Based largely on four days of conversations between the artist and the psychoanalyst, the book includes excerpts from those conversations
Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.
"Performing the Sentence brings into dialogue the ways that "performative thinking" has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in ...