What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about - and reshape - the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics' multimodality - its hybrid structure, which represents a meeting point of text, image, reason, and aesthetics - opens understanding of the limits of law's rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic 'beyond'. This mask of knowing remains haunted - by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives - an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.
清秀佳人
Featuring the work of Clive Barker (HELLRAISER), Neil Gaiman (SANDMAN), Mike Mignola (HELLBOY) Larry Wachowski (THE MATRIX), Alex Ross, (KINGDOM COME), Kevin O'Neill (LEAGUE OF EXTRAORDINARY GENTLEMEN) and many more!
This volume starts off with The Thief of Always, moves on to the epic twelve-part The Great and Secret Show, and ends with Seduth, all illustrated by Gabriel Rodriguez.
Ages 13+
Yota wants to confess his love to Moemi and put their past behind them, but neither Moemi nor Takashi have gotten over Moemi's attack.
Sailor Moon continues to fight evil and enforce justice.
"Usagi Tsukino is a normal girl until she meets up with Luna, a talking cat, who tells her that she is Sailor Moon.
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Robert E. Howard: The Horror Collection
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