I sort of see you surrounded with fine-tooth combs, sandpaper, nail files, pots of varnish, etc.--with heaps of used commas and semicolons handy, and little useless phrases taken out of their contexts and dying all over the floor," Elizabeth Bishop said upon learning a friend landed a job at The New Yorker in the early 1950s. From 1933 until her death in 1979, Bishop published the vast majority of her poems in the magazine's pages. During those forty years, hundreds of letters passed between Bishop and her editors, Charles Pearce, Katharine White, and Howard Moss. In these letters Bishop discussed the ideas and inspiration for her poems and shared news about her travels, while her editors offered support, commentary, and friendship. Their correspondence provides an unparalleled look into Bishop's writing process, the relationship between a poet and her editors, the internal workings of The New Yorker, and the process of publishing a poem, giving us a rare glimpse into the artistic development of one of the twentieth century's greatest poets.
Each of the six essays provides a vivid portrait; taken together they tell the story of Gioia’s own journey from working-class LA to international literary success.
The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts.
Evelyn, John (1620–1706), British diarist F Fabiani, Mario (1912–74), mayor of Florence (1946–51) Farley, ... U.S. ambassador to Japan (1930–32) Ford, Ford Madox (1873–1939), British writer Ford, Gerald Rudolph (1913–2006), ...
Today established as one of the twentieth century's most important poets, Elizabeth Bishop (1911-1979) was also a gifted artist and collector of art and artifacts, many of which were collected...
To complete the panorama, today’s New Yorker staff look back on the decade through contemporary eyes. The 40s: The Story of a Decade is a rich and surprising cultural portrait that evokes the past while keeping it vibrantly present.
word in which he did not believe , which did not spring from the heart , and he is therefore disturbed by the fact that he and the word “ dream ” don't entirely understand each other . “ The most important ingredient of a good song is ...
A brilliantly rendered life of one of the most admired American poets of the last century, from a Pulitzer Prize−winning author who alternates biography with a memoir of her own days as a young writer in Bishop's famous Harvard poetry ...
This revelatory and moving selection brings us into the poet's laboratory, showing us the initial provocative images that moved Bishop to begin a poem, illustrating terrain unexplored in the work published during her lifetime.
In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life.
The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 ...