Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.
This anthology gathers into a single volume 30 essays which embody the history of photography. Contributors include : Niepce, Daguerre, Fox Talbot, Poe, Baudelaire, Emerson, Hine, Stieglitz, Weston, Abbot, Barthes, and others.
"This book is a valuable record of conversations with fifteen celebrated and distinguished photographers representing the spectrum of "schools", movements, and styles currently in the medium. The interviews establish a...
This book provides the first important survey of the field. Heavily illustrated and filled with insightful and intimate detail, the book reaches back briefly to the nineteenth and the first...
The " purging " of blackness was also a well - worked if problematic theme in antislavery fiction , as Karen Sánchez - Eppler has argued : " The very effort to depict goodness in Black involves the obliteration of Blackness .
An album of eighty-seven of Evans' pictures of houses, factories, people, and city streets offers an unadorned look at American society between 1929 and 1937 For the first time, nearly 500 of Evan's photographs the majority heretofore ...
The problem of point of view, of the appropriate physical stance from which to gauge the social meanings of scenes witnessed, is at the core of investigation, the reformer Charles Booth realized: East London lay hidden from view behind ...
By awakening the nation to the horrific violence of fire hoses and attack dogs, they defined what was meant by “civil rights movement.” Always engaging in its narrative as well as in its analytical and theoretical discourse, Seeing ...
Additional Sources For further discussion of Indian figures and themes in antebellum drama and melodrama, see Sollors, Beyond Ethnicity, 102-48, and on the Pocahontas theme, 75-80; B. Donald Grose, "Edwin Forrest, Metamora, ...
Fleming recounts the intriguing history of this collection, which was the Smithsonian's--and perhaps the country's--first photographic exhibit.
"Explores antique photographs of people and their dogs to expand the understanding of visual studies, animal studies, and American culture.