William Cody (1846—1917), a.k.a. Buffalo Bill, was the most famous American of his age. A child of the frontier Great Plains, Cody was renowned as a Pony Express rider, prospector, trapper, Civil War soldier, professional buffalo hunter, Indian fighter, cavalry scout, horseman, dime-novel hero, and actor. But Buffalo Bill’s greatest success was as impresario of the Wild West show, the traveling company of cowboys, Indians, Mexican vaqueros, and others, numbering in the hundreds, with which he toured North America and Europe for more than three decades. As Louis S. Warren reveals, the show company came to represent America itself, its dazzling mix of races sprung from a frontier past, welded into a thrilling performance, and making their way through the world via the modern technologies of railroad, portable electrical generator, telephones, and brilliantly colored publicity–an entrancing vision of the frontier-born, newly mechanized, polyglot United States in the Gilded Age.
Biographers have long disputed whether Cody was a hero or a charlatan. As Warren shows, the question already preoccupied critics and spectators during Cody’s own lifetime. In fact, the savvy entertainer encouraged the dispute by mingling fictional exploits with his not inconsiderable achievements to construct the persona of an ideal frontiersman, a figure who was more controversial than has been commonly understood. At the same time, his show provided a means for rural westerners, including cowboys, cowgirls, and especially Lakota Sioux Indians, to claim a new future for themselves by reenacting a version of the past.
The most comprehensive critical biography of William Cody in more than forty years, Buffalo Bill’s America places America’s most renowned showman in the context of his cultural worlds in the Far West, in the East, and in Europe. A rich and revealing biography and social history of an American cultural icon.
In a poignant, dramatic memoir, Billie Holiday tells not only of her rise to fame as a blues singer, but also of the exploitation and racial prejudice she encountered as well as of her struggle with heroin addiction.
... Judy , 343 Knight , Fuzzy , 283 Koehler , Ted , 28 Kristofferson , Kris , 354 , 369 , 370 Krupa , Gene , 146 Jackson , Jeanette , 200 Jackson , Mahalia , 30 , 75 , 198 , 199– 203 , 205–12 , 265 , 276 , 320 , 325 , 326 , 364 Jagger ...
... II , 93 Kolb , Keith , I , 198 Korda , Alexander , II , 69 Kosloff , Theodore , I , 76 ; II , 76 Kotero , Apollonia , II , 93 Kramer , Stanley , I , 128 , 136 , 187 ; II , 161 Krantz , Jacob , see Cortez , Ricardo Kristofferson ...
Norman Holdsworth Charles Drake Dr. Grant Grant Mitchell Detective Lt. Egan Patrick O'Moore Nora Grant Ann Shoemaker Robert Freston Frank Wilcox Phillips Edwin Stanley Detective Lt. Workman James Flavin Mrs. Allman Mary Servoss With ...
... 98 Gods Must Be Crazy , The ( Uys ) , 174 Goldberg , Whoopi , 165 , 174 Goldblum , Jeff , 186 Golden Globe Awards ... 58 , 183 Hale , Alan , 3 Hall , Angela , 165 Hammett , Dashiell , 199 Hand That Rocks the Cradle , The ( Hanson ) ...
This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date.
After the inquest , Holmes speaks with Inspector Lanner and Miss Turner . Lanner sees no hope for McCarthy , but Holmes thinks differently . He quizzes Miss Turner on her relationship with McCarthy , and she reveals they had hoped to ...
Through a clever bit of business , the boys put over a big deal with a steel tycoon named Morgan Prentiss ( Samuel S. Hinds ) , and soon Pittsburgh has gone highbrow by marrying the boss's daughter Shannon ( Louise Allbritton ) .
Written with Jackson's full participation, this extensive biography, illustrated with never-before-seen photos from Jackson's personal collection, tells the inside story of how a New Zealander became Hollywood's hottest property?from the ...
本书主要内容包括:童年时光;初次登台;不安定的日子;舞蹈班的一员;艰难时日;初露锋芒;奔波在卡诺;第一次出国等。