Behind every classic pop record is a musical mentor whose job it is to coax the finest performance from an artist, while a technical virtuoso captures that unforgettable sound for posterity. In this book, the great record producers and engineers come out from behind the control room glass to talk about their work with popular music's most legendary performers.
Bestselling author and journalist Richard Buskin interviews more than sixty producers and engineers, taking us in their own words on a multi-decade musical odyssey ranging from big band, jazz and folk to rhythm & blues, rock, pop, punk, disco, metal, alternative and every other nook and cranny that has brought exciting performances together with an experienced recording hand. We meet the people who recorded Louis Armstrong, John Coltrane, Ella Fitzgerald, Bob Dylan, The Beatles, The Rolling Stones, The Doors, Jimi Hendrix, Elton John, Paul Simon, Michael Jackson, Nirvana, Alanis Morissette, and more -- and find out what those sessions were really like. Here is a very personal history of popular music told from a vantage point that may be new to us, but not to the many musicians who have labored in the studio: here is how it felt to help them make history.
Conversations with:
Sam Phillips -- Chet Atkins -- Jerry Wexler -- Lieber & Stoller -- Mickie Most
Sir George Martin -- Roy Halee -- Bruce Botnick -- Lamont Dozier
Eddie Kramer -- Tom Dowd -- Gus Dudgeon -- Alan Parsons
Giorgio Moroder -- Dave Edmunds -- Hugh Padgham -- Quincy Jones
Don Was -- Phil Ramone -- Glen Ballard -- Butch Vig
and many, many more
Surgeon's Call
It also prompted a spoof in Sheb Woolley's ' Don't Go Near The Eskimos ' Dave Davies maintained that this simultaneously universal and personal opus “ was a gesture : ' Leave me alone . I'm not a performing seal .
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
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Pearl Jam, for example, tellingly revisited the punk tradition of social engagement almost immediately after Cobain's suicide, adopting an escalating social-political rhetoric inaugurated with 1994's Vitalogy.
Explains terms and slang relating to American popular music, discusses its various musical styles, and surveys the careers of important figures in popular music
Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before...
We All Want to Change the World provides a cogent and fascinating evaluation of post-World War II American commercial music and its complex, multi-faceted impact on the world of politics....
"Money for Nothing begins with the earliest days of the music video, when Hollywood musicals, experimental animated films, Soundies, and Scopitones fused music and image in ways that would presage...
Dancing in the Dark