Essays written over a period of thirty years evaluate the contributions of great filmmakers and noted critics, and address the question of whether movies can think
This paperback edition includes additional material reflecting the impact of the Internet and DVDs on film criticism.
Kael was right; for a relatively brief moment, movies did matter to a population that read movie critics and believed discussing movies was significant. And yet, just when movies and the critics seemed to hit an intellectual peak, ...
This collection maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candor.
With contributions from some of the nation's greatest writers, this celebration of life in New York includes the voices of Edgar Allan Poe, Washington Irving, Gay Talese, E. B. White, Zora Neale Hurston, William Carlos Williams, and many ...
and subject to change surely renders questions of harmony irrelevant. ... not arise in monochrome film, whose black, white and grey form a continuous scale; colour alone may be dogged by the question whether certain hues 'go together', ...
Sucha vision of romance was already inscribed inthe Ferrat song played on the film's first jukebox in tableau 6; with a Godardian flourish the “anonymous” extra who makes the selection is the singer-songwriter Jean Ferrat.
In "The Stoic's Marriage," a man struggles with the unraveling of his marriage to a young nurse's aide, and in "Eleanor, or, The Second Marriage," a couple's marriage is tested after the arrival of the husband's troubled son.
love you totally, tenderly, tragically). Here, Paul seems to express total love for Camille—precisely what we would assume she wants tohear. However, as Paulis speaking, Camille looks away from his face, seemingly disappointed with ...
]armusch alludes to the persistent use of such tools by giving the name ”Wilson” to his monster of American aggression. Besides the long hair that visually evokes George Armstrong Custer, Cole Wilson's black clothes resemble those of ...
Camille anatomizes her body not in order to divide it into a collection of part objects, but rather to establish that it is adored in every detail—as Paul says, “totally, tenderly, tragically.” Through her selfblazon, Camille dreams of ...