Just in time for the Chairman’s centennial, the endlessly absorbing sequel to James Kaplan’s bestselling Frank: The Voice—which completes the definitive biography that Frank Sinatra, justly termed the “Entertainer of the Century,” deserves and requires. Like Peter Guralnick on Elvis, Kaplan goes behind the legend to give us the man in full, in his many guises and aspects: peerless singer, (sometimes) accomplished actor, business mogul, tireless lover, and associate of the powerful and infamous. In 2010’s Frank: The Voice, James Kaplan, in rich, distinctive, compulsively readable prose, told the story of Frank Sinatra’s meteoric rise to fame, subsequent failures, and reinvention as a star of live performance and screen. The story of “Ol’ Blue Eyes” continues with Sinatra: The Chairman, picking up the day after he claimed his Academy Award in 1954 and had reestablished himself as the top recording artist. Sinatra’s life post-Oscar was astonishing in scope and achievement and, occasionally, scandal, including immortal recordings almost too numerous to count, affairs ditto, many memorable films (and more than a few stinkers), Rat Pack hijinks that mesmerized the world with their air of masculine privilege, and an intimate involvement at the intersection of politics and organized crime that continues to shock and astound with its hubris. James Kaplan has orchestrated the wildly disparate aspects of Frank Sinatra’s life and character into an American epic—a towering achievement in biography of a stature befitting its subject.
COURTESY OF SONY MUSIC PHOTO LIBRARY A priceless reflection: Dr. Peter Goldmark inspects a newly minted LP stamper as Bill Bachman, the engineer who perfected the LP process, looks on. Goldmark, along with Snepvangers and Chinn, ...
This edition is limited to 1000 copies. Published in association with Iconic Images and Frank Sinatra Enterprises. "It is fitting that the voice that defined a century should have a centenary.
Created in close collaboration with the Sinatra family and Frank Sinatra Enterprises, this momentous book captures the man in public and private, with exclusive unseen photographs and memorabilia from the family archives, as well as the ...
Sure enough, after about a year, Roy signed them with EMI Records and they released an album. Not long after, the group decided that they wanted to go forward without Joe. Roy came to me with the news. “I have a lot of money in this ...
As the place was closing down, Jilly said to me and Mickey, “Listen, I'm going to the after-hours joint down on Houston Street. You guys want to come along?” We said, “Yeah,” so I left my car at the club. I went with Jilly and some ...
"Mr. S: My Life with Frank Sinatra, by former valet-aide George Jacobs with an oh-so-able assist by William Stadiem, has at least five quotable and shocking remarks about the famous on every page.
With a new look and a new introduction by Hamill, this is a rich and touching portrait that lingers like a beautiful song.
I'm also not going to mention Benedict Arnold, Aaron Burr, Adolf Hitler, Bruno Hauptmann, or Ilse Koch—she's the other two-dollar broad—the one who made the lampshades.” The success of his U.S. tour led to a five-country tour through ...
50 ; p . 67 ; p . 167 ; p . 201 ; p . 207 ; p . 213 , Lennox McLendon ARCHIVE Photos : p . 78 , CBS Photo Archive ; p . 97 ; p . 177 CBS Photo ARCHIVE : p . 16 ; p . 74 ; p . 133 ; p . 20 GLOBE Photos : p .
“Frank and I sang together... and to balance our voices he stood two feet from the mike and I had to crawl in it. What a voice that man has!” —Jane Russell (Costar, Double Dynamite, 1951) ABOVE Lobby card, Double Dynamite, 1951.