The inspiration for the Play It Loud exhibition at the Metropolitan Museum of Art "Every guitar player will want to read this book twice. And even the casual music fan will find a thrilling narrative that weaves together cultural history, musical history, race, politics, business case studies, advertising, and technological discovery." —Daniel Levitin, Wall Street Journal For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses twelve landmark guitars—each of them artistic milestones in their own right—to illustrate the conflict and passion the instruments have inspired. It introduces Leo Fender, a man who couldn't play a note but whose innovations helped transform the guitar into the explosive sound machine it is today. Some of the most significant social movements of the twentieth century are indebted to the guitar: It was an essential element in the fight for racial equality in the entertainment industry; a mirror to the rise of the teenager as social force; a linchpin of punk's sound and ethos. And today the guitar has come full circle, with contemporary titans such as Jack White of The White Stripes, Annie Clark (aka St. Vincent), and Dan Auerbach of The Black Keys bringing some of the earliest electric guitar forms back to the limelight. Featuring interviews with Les Paul, Keith Richards, Carlos Santana, Eddie Van Halen, Steve Vai, and dozens more players and creators, Play It Loud is the story of how a band of innovators transformed an idea into a revolution.
In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of ...
Whether you read it quietly or loudly, learning about opposites has never been more fun - or funny - than with this winning book. Sniffles are quiet, but sneezes are loud.
This long - overlooked feature of his career is captured vividly in Marshalling Justice : The Early Civil Rights Letters of Thurgood Marshall , edited by Michael G. Long . This compendium of correspondence reflects the wide range of ...
This music, with its syncopated marching beat, was as much fun for musicians to play as for audiences to hear. Although the American Federation of Musicians tried to ban ragtime music in Moshing to the beat Many fans of punk rock, heavy.
... Noah Vinson , David Leventhal , Joe Bowie , Lauren Grant . Bottom row : Craig Biesecker , Bradon McDonald , Julie Worden , Michelle Yard , Maile Okamura . ( Johan Henckens ) arena , with a rotating globe and a giant gospel. 127 GLORIA.
Lincoln and Clyde have been waiting for this day for months: their favorite video game, Marshmallow Martian Blasters, is finally arriving at the arcade, and nothing will keep them from being first in line.
The two get off to a bumpy start. At first, Jack is anxious and distrustful. But one day, he summons his courage and guides Charlie to his favorite sunlit field: this way, Charlie.
I can’t think of another book quite like it.” -- John Kander, composer, Cabaret, Chicago, New York, New York Unforgettably entertaining and emotionally revealing, Loud is pitch-perfect as he describes his path to the podium, from a ...
With bright, bold, eye-catching illustrations and two adorable characters, Gina Perry has created a book that will appeal to all the Peanuts and Moes in the world -- whether they think it's too much or not enough!
And until Foxy patiently teaches his lemmings to read the book, he can't return to reading it, either!