Verdi, like most great opera composers, attached supreme importance to the words he was setting to music.
“Franz Werfel and the 'Verdi Renaissance'.” Verdi (item 299), 61–77. In Aspects of Outlines the decline in popularity in Verdi's works, which reached a low point in the first two decades of the twentieth century, and the role of Franz ...
The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by ...
For one thing , Un ballo in maschera was the last work the composer wrote for an Italian opera house until Otello ( Milan ... John Rosselli , The Opera Industry in Italy from Cimarosa to Verdi ( Cambridge and New York : Cambridge ...
The best study of Italian opera production in this period is John Rosselli, The Opera Industry in Italy from Cimarosa to Verdi: The Roleof the Impresario (Cambridge University Press, 1984). For the budgetary information given here, ...
These 301 letters between Verdi and Bioto show a picture of daily life of European art and artists during the last decades of the 19th century.
Philip is drawn to him, wants him for a friend, and warns him to beware of the Inquisition. ... In the play Philip's third and current queen, Elisabetta di Valois, had first been betrothed to Don Carlos, Philip's son by his first wife.
Musiktheorie 17 (2002): 25–40. Caplin, William E. Classical Form: A Theory ofFormal ... Un lapsus di Marx: Carteggio 1956–1990. Ed. Luca Baranelli. ... Studi verdiani 11 (1996): 40–74. Chiaromonte, Nicola. Scritti sul teatro.
“'La Forza del Destino': Verdi at His Gloomiest and, So, Most Verdian.” New York Times (25 February 1996): H3 1+. Godefroy, Vincent. The Dramatic Genius of Verdi: Studies of Selected Operas. 2 vols. New York: St. Martin's Press, 1975.
In the opera's premiere production in Britain, at Glyndebourne in 1938, where it was the joint work of Bing, then general manager of Glyndebourne, and of Ebert, Neher, and Fritz Busch, all four of whom had been young men in Germany at ...
( Pickering women's classics ) [ 5 ] , vi - xxvi , [ 3 ] , 4-246 pp . La conquista di Roma ( Florence , Barbera ) was first translated anonymously in 1902 , and was published by Heinemann , and by Harper . It was later also translated ...