An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.
In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings.
An ear-opening exploration of music's New World, from Puritan psalmody to Hamilton
A definitive history of music in the United States, written by a team of scholars and first published in 1998.
7 For a longer discussion of the practice of tracking white children into gifted and 10 11 12 13 14 15 16 17 talented education programs, see Barlow and Dunbar, “Race, Class, and Whiteness in Gifted and Talented Identification.
Richard Crawford and Jeffrey Magee, Jazz Standards on Record, 1900–1942: A Core Repertory, CBMR Monographs, no. 4 (Chicago: Center for Black Music Research, Columbia College Chicago, 1992), vi. Crawford and Magee define jazz standards ...
Orpheus in Manhattan, a fully objective and comprehensive biography of Schuman, portrays a man who had a profound influence upon the artistic and political institutions of his day and beyond.
Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions.
Examines the popular songs of the Civil War and those who composed and played them, includes biographies of musicians of the era and a dictionary of Civil War music.
On music in hospitals, see, for example, Daniel J. Wakin, “While in Surgery, Do You Prefer Abba or Verdi?” NYT, June 10, 2006. On ring tones, see Sasha Frere- Jones, “Ring Tones,” New Yorker, Mar. 7, 2005. On “Happy Birthday,” see ...
David W. Blight and Robert Gooding - Williams ( Boston : Bedford , 1997 ) , 150 . 1. Paul J. Scheips , " Hold the Fort ! ” The Story of a Song from the Sawdust Trail to the Picket Line ( Washington , D.C .: Smithsonian , 1971 ) , 20 .