"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
This guide surveys these longstanding problems, devoting a chapter to each principal theory and offering a running account of the complete history of tuning and temperament.
The work explains temperament strategies accessibly and reflects on the technical process of piano tuning in both practical and philosophical terms.
Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.
Table H.1. Historical tunings, with all values rounded to the nearest cent. Table H.2. ... 698 792 894 996 1090 Vallotti A 90 200 294 396 498 592 702 792 898 996 1094 Werkmeister 3 90 192 294 390 498 588 696 792 888 996 1092 Werkmeister ...
What is the relationship between performance and recording?
This concise, readable guide has proven indispensable to performers and scholars of medieval music.
They are shown in Parrott 1978:183. 163. Quoted in Drake 1981:44. 164. The mounts “slightly worsen the intonation, which is otherwise excellent." Drake 1981:44-45. 165. Dallam built Prestbury, St. Peter (1663) at Qyire-pitch; Oxford, ...
This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections.
In European music we obtain a hint of this all-embracing quality only in the work of Mahler, and in his famous ... breathing the same air, same temperature, going to the same place, speaking the same language (sometimes) – but not all ...
This book will rock medieval musicology to its foundations, and permit the erection of a much firmer, more interesting, and more realistic structure to take the place of the old. "—Richard Taruskin, author of Oxford History of Western ...