'Max Harrison . . . surveys the whole history and development of jazz in a concise, well written and well illustrated . . . article together with an extensive bibliography.' --Richard D. C. Noble, Times Literary Supplement
The New Grove Gospel, Blues and Jazz
Source: From Karen Halttunen. A Companion to American Cultural History by Hoboken, NJ: John Wiley & Sons, 2008, p. 89. Books Smith, Mark Michael. Stono: Documenting and Interpreting a Southern Slave Revolt. Columbia, SC: University of ...
I organize these spirituals according to their liturgical use in response to those scholars who overlook the sacred functions of Negro spirituals and the ... One The West African Song Tradition Rowing Songs Michael row 12 Gullah Spirituals.
... The New Grove Dictionary of Jazz ( London : Macmillan Publishers , Ltd. , 1988 ) ; Eddie S. Meadows , Jazz Research ... Jazz historian Steve Isoardi has conducted the majority of the interviews for the UCLA Oral History Program .
Moving beyond the narrow focus of advocacy group politics, this book complicates and enriches our understanding of the cultural terrain shared by African Americans and Jews.
Symbolism in Indian Dance . " The World of Music 20,3 ( 1978 ) : 70-83 . On the various symbolisms associated with the dancing Shiva and with Indian dance in general . These include the eight moods ( rasa ) , hand gestures , facial ...
On the early commercial history of guitar sales , see Bruce Bastin , Red River Blues : The Blues Tradition in the ... Gospel Music , " in The New Grove Gospel , Blues and Jazz with Spirituals and Ragtime ( New York : W.W. Norton ...
Beyond the familiar forms of Mississippi Delta Blues and mainstream country music, the vernacular music of the South also ranges from the ceremonial music of Native Americans, to "shout" singing...
Morris , Ronald L. " Themes of Protest and Criminality in American Recorded Jazz , 1945-1975 . " Annual Review of Jazz Studies 3 ( 1985 ) : 147–166 . ... The New Grove Gospel , Blues and Jazz with Spirituals and Ragtime .
In Chicago , Johnson worked with several bands — Ed Carry , Cass Simpson , Irene Eadey , Eddie Mallory , Clarence Moore , and Jimmie Noone — but it was with Earl Hines that Budd most wanted to play . He got his chance on May 10 ...