From Janis Joplin to Tori Amos, this work explores the changing role of women musicians & the ways in which their songs resonate in popular culture. It examines the interaction between feminist debates & music culture over 30 years of pop history.
EMI had signed her in the glory days of the mid 70s when themusic industry was runningata profit andthere wasmoney to slosh around on new artists. Introduced to an EMI executive by a supergroup musician – Pink Floyd's Dave Gilmour, ...
An entertaining and unique look at the role of women in 20th century America through well-known songs. Dorothy Marcic has created a fascinating and original story chronicling the development of...
I'm a Man: Sex, Gods, and Rock 'n' Roll. London: Faber and Faber, 2000. The author, a British cultural critic, adds to the discourse on gender and rock by analyzing her topic through the lens of Greek mythology. Padel positions rock as ...
As cited in Kimber, 2004, 44. Interested readers may wish to access biographical dictionaries such as the highly regarded Oxford Dictionary to discover how Hensel is portrayed. Kupferberg, 1972. Kupferberg theorizes that Moses ...
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production.
The second edition of the “milestone” work of history that focuses on female musicians through the ages (College Music Symposium).
The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through ...
A survey of female pop and rock artists and their place in the largely male-dominated music industry.
... 1332 Tyre, Marjorie, 3238 Tyson, Cicely, 1279 Tyson, Sylvia, 791 U Uchida, Mitsuko, 38 Uitti, Frances-Maria, 677 Ulehla, Ludmilla, 1169 Urner, Catherine, 112, 3239–41 Urreta, Alicia, 1073–74, 1167 Urso, Camilla, 1153, 3368 Urseleac, ...
Back in 1989, Finnegan had also suggested that women felt relatively comfortable in the folk clubs she attended in ... the Folk Revival had succeeded ... but unless its fundamental concepts of the Folk and folk culture were rejected, ...