What should we dowith a literary work? Is it best to become immersed in a novel or poem, or is our job to objectively dissect it? Should we consult literature as a source of knowledge or wisdom, or keenly interrogate its designs upon us? Do we excavate the text as an historical artifact, or surrender to its aesthetic qualities? Balancing foundational topics with new developments,Engagements with Close Readingoffers an accessible introduction to how prominent critics have approached the task of literary reading. This book will help students learn different methods for close reading perform a close analysis of an unfamiliar text articulate meaningful responses Beginning with the New Critics and recent argument for a return to formalism, the book tracks the reactions of reader-response critics and phenomenologists, and concludes with ethical criticism's claim for the value of literary reading to our moral lives. Rich in literary examples, most reprinted in full, each chapter models practical ways for students to debate the pros and cons of objective and subjective criticism. In the final chapter, five distinguished critics shed light on the pleasures and difficulties of close reading in their engagements with poetry and fiction. In the wake of cultural studies and historicism, Engagements with Close Reading encourages us to bring our eyes back to the words on the page, inviting students and instructors to puzzle out the motives, high stakes, limitations, and rewards of the literary encounter under the pressure of this beleaguered and persistent methodology.
-John Northam , “ Ibsen's Search for the Hero , ” Ibsen , ed . ... Remains and the True Nature of Love ; the cocky stance of the “ greasy , seedy and potentially violent ” ghost , Screamin ' John McGee , in John Gray's Rock and Roll ) .
Isn't Burke the critic like Whitman the poet , trying out the road ahead so that we may follow him ? If Whitman is our great democratic poet , then Burke is surely one of our great democratic critics , in the American grain , right from ...
But when these WordPeople are gone , won't the life of words be gone ? TL . Unfortunately , yes . S. Then , what of us , the two voices in this dialogue ? When words go , won't we , too , be gone ? TL . Unfortunately , yes .
he title page to the 1603 Quarto of William Shakespeare's Hamlet (Q1) advertises that the play has been “acted . . . in the Cittie of London.”1 Andrew Gurr has recently suggested that City playing was forbidden in 1594; ...
Figuring Lacan: Criticism and the Cultural Unconscious
It was also a religion of human sacrifice , of hideous idols , of horrible shapes of death , of deities who were demons , and demons whose very names sound as ugly and unnatural as their natures . 64 THE ILLUSTRATED LONDON NEWS.
Disappointed that Sue Dickinson was not moving as quickly with the project as she would have liked, Lavinia Dickinson gave another group of poems to another literary woman she knew, Mabel Loomis Todd. But, as Todd was Austin Dickinson's ...
H. L. Mencken
A Guide to Critical Terms
Läsa långsamt: essäer om litteratur och läsning