Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, mugham is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for mugham and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan.
... its politics and human experiences are portrayed and studied in the so-called serious press, the prestigious organs of the Western intellectual tradition, and the popular mind” (4). 40. Anthony Bogues, Black Heretics Black Prophets, ...
The Black Prophet
16 Bogues, Black Heretics, Black Prophets, 12–13. 17 Bogues, Black Heretics, Black Prophets, 13. 18 Davis, The Problem of Slavery, 149. 19 Bormann, Forerunners of Black Power, 6. 20 David Howard-Pitney, “The Jeremiads of Frederick ...
... . 1. Baylor University Press, 2006. Howard-Pitney, David. African American Jeremiad Rev: Appeals For Justice In America. Temple University Press, 2009. Ibrahim, Awad El Karim M. “'Whassup, Homeboy?' Joining the African 156 Bibliography.
William Carleton (1794-1869) was born in Co. Tyrone, the son of a peasant who supported fourteen children on a small farm. The family was bilingual, and his parents accomplished singers...
An original and stimulating critique of American empire
Swift (religion, Wesleyan U.) examines the interlocking careers and influence of six black clergymen, two of them fugitive slaves, who lived in antebellum North and protested the racism of the time: Samuel Cornish, Theodore Wright, Charles ...
This book examines the rhetoric of the nineteenth-century African Methodist Episcopal Church bishop Henry McNeal Turner.
Mark Anthony Neal reads the story of black communities through the black tradition in popular music. His history challenges the view that hip-hop was the first black cultural movement to speak truth to power.