This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music.
Instead of dismissing emotional response and personal taste as inaccessible to academic critics, Frith takes these forms of engagement as his subject—and discloses their place at the center of the aesthetics that structure our culture and ...
From the Beatles and Bob Dylan to Michael Jackson and Madonna, from Woodstock and Monterey to Altamont and Live Aid, this book provides an indispensable assessment of the importance of live performance in the practice of popular music, and ...
This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music.
... Penny , 178 “ Wake Up Little Susie ” ( Everly Brothers ) , 190 Wakin , Daniel J. , 245n63 Wanderley , Marcelo M. ... See also race Wiener , Jon , 185–86 Williams , Hank , 143 Williams , Hype , 219 Williams , Larry , 186 Williams ...
Although Reynolds and Press are dismissive of “ female machisma ” as a performance strategy for women rockers , they outline its genealogy : “ this tradition runs from Suzi Quatro through Joan Jett to L7 ” ( 233 ) and includes Patti ...
Imagining China: early nineteenth-century writings and musical productions -- Towards exclusion: American popular songs on Chinese immigration, 1850-1882 -- Chinese and Chinese immigrant performers on the American stage, 1830s-1920s -- The ...
Faithfull became a pariah. She was an example of what young, white, respectable women risked when they dallied with sex and rock and roll. The incident left Faithfull with a shattered public image and sense of self.
Incredible String Band, The, 106, 109, 113, 118–19 5000 Spirits or the Layers of the Onion, 119 The Hangman's ... Eve, 66, 177 Krautrock, 128 Krishnacore, 142 Kristeva, Julia, 152, 181–2 Lacan, Jacques, 152, 181 Laing, Dave, 137 Lamacq, ...
This is the first ethnographic study of women's popular music-making.
This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style.