Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.
First prize for dancing, after much deliberation, went to Angus M'Kay, late piper to W.F. Campbell, Esq of Islay; ... Isaac Pocock's adaptation of Rob Roy was, according to Alasdair Cameron, 'remembered as the play which saved the ...
Teaching Folk: The Educational Institutionalization of Folk Music in Contemporary England. University of Newcastle, PhD. ———.. 2013. An Aural Tradition with a Pause Button? The Role of Recording Technology in a North-East English Folk ...
THE SCOTTISH CULTURAL REVIEW OF LANGUAGE AND LITERATURE Scottish Theatre: Diversity, Language, Continuity Volume 22 – By Ian Brown Scots: Studies in its Literature and Language Volume 21 – Edited by John M. Kirk and Iseabail Macleod The ...
... Donald, 26 Sinclair, Sir John, 23 Skye, Isle of, 26–27 Smetana, Bedrich, 299, 301 Smith, Charlotte, 297 Smith, Rev. ... 110, 298 Sunset Festival, Utah, 232 Sweden, Swedish, 4, 16, 95, 210–11 Swedenborg, Emanuel, 383 Switzerland, 3, ...
Our Ancient National Airs: Scottish Song Collecting From the Enlightenment to the Romantic Era. Farnham, Surrey: Ashgate. McCalman, I. 2008. Far Far From Ypres. Unpublished Theatre Script and Live Show. McCue, K. 1996.
This lively and erudite cultural history examines how Scottish identity was experienced and represented in novel ways.
Campbell, Rev.Father, SJ.“Canada – CatholicGaels,” in “The Catholic World,” in NewZealand Tablet vol. 36, no. 2 (9 January 1908). Campbell, John Lorne, and C. Eastwick. ... Chapman, Colin R. Pre-1841 Censuses & Population Listings.
Smith , Henrietta ? ,, later Mrs Edmund John Eyre the second f.1792 ? –1823 ) , actress , singer . In the fifth volume of this Dictionary we supposed that the second Mrs Edmund John Eyre acted only in the nineteenth century , but the ...
Beyond this geography there are a few flights of inspiration . Under en Bro ' is almost as good as my Faeroe settings . The ' English Dance ' is one of my best pieces , & must be explained later . ' HillSongs I & II ' are my very best ...
By the period ¡700–¡799, the list includes Corbet, Corsar, Clugstone, Cassels (Kassel, a town in Germany), Hosie (Hosiah), Hassock, Ja›ray (Geo›rey), Oliphant (from “elephant”), Peacock, Runciman, Rattray, Salmond (Soloman) and Yoole ...