Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.
Popular Music: Style and Identity
Heining , D. ( 1998 ) Cars and girls - the car , masculinity and pop music , in D. Thorns , L. Holden and T. Claydon , eds , The Motor Car and Popular Culture in the 20th Century , Ashgate , Aldershot , 96-119 .
This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style.
... 33 'glocal' subcultures, 108, 110 Goffin, Gerry, 193, 194 Goffmann, E., 68 Gordon, E. T., 27, 28 Gordon, Vin, 74 graffiti art, 9, 131 Grandes Ligas, 96, 97,98, 99, 103, 104 Gravediggers Productions (GDP), 14, Great Britain, 33, 34, ...
Disruptive divas:feminism, identity &popular music. New York: Routledge, pp. 31–61. Bynum, C. W. 1984. Women's stories, women's symbols: A critique of Victor Turner's theory of limination. In R Moore and F Reynolds (eds.) ...
Popular Music: Music and identity
The need for a critical approach to evaluating popular music lies at the heart of this book.
In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding ...
Antagonistic Practices – Dialectical Singing As musical contrappunto to CCCP-Fedeli alla linea's work, Franco Battiato (coming from experimental research and having been a Stockhausen disciple), crosses over ...
Popular Music and Youth Culture: Music, Identity and Place