Traces the history of Hollywood since the introduction of sound in 1927, with detailed accounts of the decline of the big studios, the role of censorship, the rise of the genre film, and the impact of World War II and postwar blacklisting on the industry
Laurel after Hardy After Oliver Hardy's death in 1957 at the age of sixty-five, his long-time partner Stan Laurel refused to perform publicly again. The British-born Laurel was far from reclusive.He lived in a small apartment in Santa ...
... Getty Images Emma Thompson: Terry O'Neill/Iconic Images/Getty Images Ruth E. Carter: J. Countess/Contour by Getty ... Crawford: Courtesy of Sophia Crawford Ann Roth: Michel Boutefeu/Getty Images Jessica Yu: J. Vespa/WireImage for ...
A former child star who, at 93, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking.
Profiles eight films--including "Mississippi Burning," "Sergeant York," "Bonnie and Clyde," and "Norma Rae"--to reveal how they reimagine and recreate American history
This unique collection of rare photographs celebrates the joy of reading in classic film style.
This text charts the real story of the Warner brothers and contains all the drama of a big screen production. The book tells of tension and strife among four brothers, love and marriage, death and divorce, and plotting and betrayal.
He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to ...
... as at least one academic has claimed, that the interview dates from 1948; it took place much later. Rob Wagner, “Supes and Supermen,” p. 16. Donald Bogle, Bright Boulevards, Bold Dreams: The Story of Black Hollywood, p. 63.
And he survived that and pushed his way through all of it and made it possible for a lot of the rest of us to do it. My first residence in New York was Carnegie Hall. And I got in there because Phil Moore had a studio in Carnegie Hall.
Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film.