A veteran film critic offers a lively, opinionated guide to thinking and talking about movies--from Casablanca to Clueless Whether we are trying to impress a date after an art house film screening or discussing Oscar nominations among friends, we all need ways to look at and talk about movies. But with so much variety between an Alfred Hitchcock thriller and a Nora Ephron romantic comedy, how can everyday viewers determine what makes a good movie? In Talking Pictures, veteran film critic Ann Hornaday walks us through the production of a typical movie--from script and casting to final sound edit--and explains how to evaluate each piece of the process. How do we know if a film has been well-written, above and beyond snappy dialogue? What constitutes a great screen performance? What goes into praiseworthy cinematography, editing, and sound design? And what does a director really do? In a new epilogue, Hornaday addresses important questions of representation in film and the industry and how this can, and should, effect a movie-watching experience. Full of engaging anecdotes and interviews with actors and filmmakers, Talking Pictures will help us see movies in a whole new light-not just as fans, but as film critics in our own right.
"Wright shrinks back from nothing."—The Village Voice "Wright belongs to a school of exactly one."—The New York Times Book Review "Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a ...
Like her collection Cooling Time, this is a collection of prose poetry about the art of poetry.
A critic shares professional insights into how to derive more from a film experience, analyzing a range of iconic films to reveal metaphorical artistry techniques in the acting, filming, dialogue, and music.
Talking Pictures: Screenwriters in the American Cinema
A celebrated photographer for 40 years, Ellen Graham has worked with magazines across America
"Snapchat was the app that launched the "camera first" revolution.
Zukor told Bloom he would not deal directly with Warner Bros. Furthermore, Paramount Famous Players would now negotiate in tandem with the other major powers in the industry, in particular his powerful rival, Nicholas Schenck's ...
Alexander, Film on the Left, 206–42; Richard M. Barsam, Nonfiction Film: A Critical History, rev. ed. (Bloomington: Indiana University Press, 1992), 148–51. 127. “Its funders removed it from distribution during the McCarthy era and only ...
Images flash across the screen. Photographs appear on walls, on cans, on the sides of buses, in magazines, books, newspapers, computers. We are bombarded with thousands of photographs each day:...
Early in the movie, Marjorie Reynolds sits in the deserted inn Crosby is trying to refurbish, and she notices a song he has written on the piano. Although he “performs” the song for her, it epitomizes the kind of pastoral joy he has ...