Actor and singer Paul Robeson's performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was "unthinkable" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane. Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.
In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics.
His message of peace, equality and justice was understood as much on the streets of Manchester, Moscow, Johannesburg and Bombay as it was in Harlem and Washington, DC. Jordan Goodman tells the story of Robeson during the tumultuous Cold War ...
The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity.
... of Meaning by Scott Magelssen Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout Paul Robeson and the Cold War Performance Complex: ...
Mary Overlie, among the most influential choreographer-dancer-educators in postmodern dance and theater practices, created the Six Viewpoints as an answer to the question 'What are dance and theater made of?
He traveled the world, performing in front of thousands to deliver a message of peace, equality and justice that was as readily understood on the streets of Manchester, Moscow, Johannesburg and Bombay as it was in Harlem and Washington, DC. ...
From Stalin's anti-American campaign to Khrushchev's peaceful coexistence policy, this book addresses the Soviet propaganda and ideology directed towards the United States during the early Cold War.
Paul Robeson, All-American
These could be the crowning achievements of a life well-lived, yet for Paul Robeson the higher calling of social justice led him to abandon both the NFL and Hollywood and become one of the most important political activists of his ...
A new perspective on post-Cold War security issues