Two key performances by Paul Robeson shed light on the Cold War era
In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics.
He traveled the world, performing in front of thousands to deliver a message of peace, equality and justice that was as readily understood on the streets of Manchester, Moscow, Johannesburg and Bombay as it was in Harlem and Washington, DC. ...
The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity.
... Real Men Don't Sing , 8–9 and 77 . 91. Meizel , Multivocality , 69 . 92. Karl Hagstrom Miller , quoted in McCracken , Real Men Don't Sing , 77 . 93. Van Vechten , “ Paul Robeson and Lawrence Brown , " 157-158 . 94. See Radano , Lying Up ...
James P. Delgado, Nuclear Dawn: The Atomic Bomb, from the Manhattan Project to the Cold War (Oxford: Osprey, 2009). ... of This Place: The Soundtrack of the Vietnam War (Amherst: University of Massachusetts Press, 2015). 28. Paul Boyer ...
... The First Black Actors on the Great White Way , " officially and openly , black actors remained barred from the so - called legitimate theaters " 11 and Broadway was largely closed to them in meaningful roles - until O'Neill . Writing about ...
“The Female 'Magical Negro': Racial and Gender Stereotyping in The Secret Life of Bees,” in Multidisciplinary Views on Popular Culture: Proceedings of the 5th International SELICUP Conference, 2014, 303–313.
Essie Robeson wrote confidentially to Carl Van Vechten that she thought the show “rotten,” and despaired at Josephine's “ridiculous, vulgar, ... On New Year's Eve, an invitation-only performance launched a run at the Nelson Theatre.
In this final volume of his groundbreaking biography, Paul Robeson Jr. tells the untold, inside story of his father's life from World War II until his death, including his fight against racism and injustice and his courageous defiance of ...
4 (April 1953): 57–58. I could not locate a script for The Big Deal. Ossie Davis, Alice in Wonder (Alexandria, VA: Alexander Street Press, 2015 [1952]), 34. Ellipses are Davis's unless bracketed. Perucci, Paul Robeson, 42. 28. 29. 30.